Tuesday, August 21, 2012

Newport Part 5: Ragtime Dinner and Ball at Glen Manor

Glen Manor is a special event, because we have a formal dinner and reception in the house before the dancing begins.  The food was yummy and the gardens were lovely, and while usually I don't like this event much it turned out to be pretty lovely.  We didn't do a lot of dancing though (too full!), so I'll let the pictures say the rest.

outside during the reception

posing in the garden

being statues! dramatic poses!
 We took a whole series with flowers that matched our dresses...we are a set!

Antonia with black-eyed susans

Quinn with cosmos

Julia with....hydrangeas?

me with a GIANT hibiscus
then we went on an adventure to the water!




moon over West Egg
Later we read stories, and did some more stair posing...



We even did a little dancing...in fact, I had one really fabulous tango with our resident police officer!  For Glen Manor we are required to hire a police detail, and several years ago this particular officer got the gig, and liked us so much he got a period uniform, and he wears it when he works our Glen Manor event.  Isn't that fabulous?  He also has great potential as a dancer, and suffered gracefully through my poor back-leading.

people dancing


tangoing with the policeman


All in all, it was a delightful evening.  TNG for the win!

Glen Manor at night

Monday, August 20, 2012

Newport Part 4: 1860s Ball at Ochre Court

I am woefully behind on my posts, and I apologize! In my defense, I had a fabulously exhausting weekend dancing in honor of the bicentennial of the surrender of the HMS Guerriere during the War of 1812.  There will be posts and pictures, but first I owe you the rest of Newport!

Wednesday night after the formal tea was the 1860s ball at Ochre Court, a truly beautiful mansion which now belongs to Salve Regina University.  This was my favorite ball of the week, and also the only ball at which I desperately wanted a bodice cam, because dancing through multiple rooms during a single dance is truly magical and movie-like.

the grand ballroom from the staircase
 We had access to the whole downstairs as well as the second-floor balcony, so there were many beautiful places to explore.  I also wore my tartan ballgown, which is a favorite, that was newly adjusted so it looked better than ever (thanks, Quinn and Antonia!).  It was perfect for swooshing through dances in every room.
dancers through the terrace window
dancing in the oak room, off the ballroom
observing from the balcony
 This was also the night in which we all tumbled down...or at least Quinn and I did.  I fell (twice!) during the Gothic Dance, and Quinn toppled during Speed Virginia Reel.  Speed Virginia Reel is not an actual dance; it is the Virginia Reel done in double-time, in which the dancers flat out run through most of it.  There was some impressive skirt momentum, and it was so much fun I thought I would pass out from laughing!  Hooray for the young set.





However, it was not all chaos and hilarity.  We did spend a lot of time taking lovely, calm pictures in our fabulous dresses.  If we look a little winded, though, now you know why!

In the white room

new trim! black velvet-edged bow and cameo

pretty girls and Adrian

as usual, also a little silly...scarlet tartan drawers!

behind shot!
Ochre Court also has a beautiful staircase with a sweeping red carpet against white marble.  Naturally, the evening wouldn't have been complete without stair pictures...

young people on the stairs!

laughing on the stairs!

SILLY FACES!

a bit blurry, but you can see my bow and my bling

and a fabulous portrait

Thursday, August 16, 2012

Vogue does An Overlap of High Fashion and My Fashion

The September issue of Vogue has a spread dedicated to Edith Wharton shot by photographer Annie Leibovitz on location at The Mount (Wharton's home in Lenox, MA).  As I am still dying to go tour the estate (but not until I finish the yachting costume I had to sideline for all of the August insanity) and am waaay behind on my Newport posts, I thought I would quickly share some pictures.

via Vogue.com
Those are some fabulous stairs.  The Mount was built by Edith at Teddy in 1902 and designed by Ogden Codman, jr., based on 17th century English estates.  Codman spent much of his youth in France before attending the Massachusetts Institute of Technology (MIT) in 1884.  He opened his first office in Boston before moving his base of operations to New York in 1893, which makes sense for someone in a business primarily funded by the wealthy elite.  Codman also opened an office in Newport, which is where he met Edith Wharton.  She hired him to redesign the interior of Land's End, her Newport home.

the sun room in Land's End, Newport
Wharton and Codman shared similar ideas of architecture and design, which lead Wharton to introduce Codman to Cornelius Vanderbilt, who commissioned the design of the second and third floors of The Breakers, his new Newport "cottage."  Wharton and Codman also co-authored a book on interior design called The Decoration of Houses in 1897. It was Wharton's first published book, although her stories and poems had been appearing in journals for years.

Safran Foer as Codman, far right (standing)
Ogden Codman, Jr. circa 1890
Although she left The Mount in 1911, Wharton retained a strong emotional attachment to the estate.  It was where she published her most famous (or infamous, I supposed, depending on your social position) novel, House of Mirth, and where she entertained many friends.  These guests included many artistic giants of the time, including artist Daniel Chester French and author Henry James.

artist Nate Lowman as French
  French, a sculptor, moved with his family to Concord, MA in 1867.  Daniel had been "whittling and carving things from wood and gypsum, and even from turnips, as many boys do" (May Alcott, a Memoir introduction by French).  His creations--such as bullfrogs out of turnips--lead to Daniel French's father to mention him to the community's artist, May Alcott.  (May, who deserves a post of her own someday, was the youngest sister of Louisa May Alcott, and the inspiration for the character of Amy in Louisa's novel Little Women.)  May gave French his first art lessons and encouraged him to pursue what he loved.

Daniel Chester French circa 1902
The larger-than-life statue of Lincoln in the Lincoln Memorial. Did you know it was done by French?
 

His studio and summer home, Chesterwood, is located in the Berkshires near The Mount.  While I don't know much about his relationship with Wharton, their shared love of horticulture is mentioned in French's wife's memoirs.  Given that they were neighbors and Mrs. French knew Edith, I think they probably at least knew each other.

Jeffrey Eugenides as Henry James, left
Henry James was born into the wealthy James family in New York and spent much of his early life alternating between Europe and America.  Perhaps I love him so dearly because is later works have been compared to impressionist paintings, which I also love, but really I think it is how well he captures the personality of a group of people as a unit.  My favorite of his novels, The Bostonians, does just that.  It's harsh, but I love it and I think much of his descriptions could still apply today.

James and Wharton met in the 1880s, but it wasn't until the early 20th century that they actually became friends.  While at first intimidated by the literary giant, James eventually became a literary adviser and close friend to Wharton.

Wharton and James on a motor tour in 1904 (in the back seat)
I might have to actually buy the September Vogue, just for this spread.  There are several more pictures, and a great Behind the Scenes piece, on the Vogue website.  I encourage you to check it out!  I think Wharton would have rather been portrayed by an author, but that's truly my only complaint.

One last thing: Leibovitz shot at The Mount previously as part of her photographic-journey-turned-coffee-table-book Pilgrimage, which I also recommend.  You can see the photographs on tour at the Concord Museum.

Friday, August 10, 2012

Newport Part 3: Formal Tea

Clearly, formal tea is all about the clothes.  The tea is lovely (we always have a blend or two from Harney & Sons, which is my favorite and I recommend you check them out!), the snacks are nice, and the campus is lovely.  But aside from playing croquet, formal tea is about lounging.  Which, given that it was Wednesday after a morning and early afternoon full of dance classes, was nothing to sneeze at.  Plus, I managed to throw together a pretty fab hat.  It was my only new piece (modern blouse from Savers, skirts I've made over the past couple of summers) and was actually just a revamp of a very old straw hat from Colonial Williamsburg, so I was quite pleased to have it.

And as I said, this was really all about the clothes and the lounging, so to the pictures we go!

on the hillside at Roger Williams

looking in the ornamental pond with Quinn

girls in a line! there might be a trend here...

holding our hats against the sea breeze


some attendees playing croquet

cattails!

a close-up of my hat, which was trimmed with its original ribbon, two small false birds, and an ostrich feather
There are some truly ridiculous croquet pictures as well, but I haven't sorted them yet...stay tuned for an update to this post!