Friday, May 10, 2013

Faking It: 1920s for the 19th c. Girl

Last night was the premier of The Great Gatsby, and it was so much fun! Getting a '20s look together is always weirdly time consuming for me, and so I was thinking about that last night when I was getting ready. The 1920s in general, but especially the highly stylish flappers, have a very distinct look: bobbed hair, finger waves, pouty lips, and big eyes.
Helen Kane, epitome of the flapper look

a kind of creepy 1920s card

Helen Costello, an actress for Warner Bros. studios c. 1928

unknown model--check out those finger waves!
I still need some practice at my flapper fabulousness, but I'm excited to prepare for the Prohibition Ball in July. What I've found is that if your hair is short looking--minimized somehow if it's long--and your makeup is right, the aesthetic translates pretty well. Even though I will never have a bob or cigarette, there are some tricks to pulling off a '20s facade when the occasion calls for it.

terrible webcam selfie! my '20s look: big round eyes, pouty lips, (faked)  bob, finger waves
goofing off before our performance at the Somerville Theatre
I didn't put together a tutorial, and to be honest I went sort of minimal with my makeup for the performance (charlestoning under stage lights + dark eye makeup = me as a sweaty, drippy mess...ew!), but here is a list of some of the points about the flapper look that can really make it work!

1. Minimize (but shape!) your hair
There are two major categories for flapper hair: round and a little frizzy or slick. Both are fake-able with long hair, it all depends on your hair texture and preferences.

a slick wave
a sleek straight bob
fabulous frizz
I went for frizz by teasing the top of my hair into the proper rounded shape and pinning it at the base of my head. Once that looked right, I pulled fistfuls of brushed-out curls (a boar bristle brush can't be beat for things like this!) to the bottom of my head (and a little higher as needed for artful arranging) and pinned them however I liked. Pulling calmer hair back into a low bun (or two), or braiding and tucking the braid under can create a close-to-the head look without drawing attention to the fact you have long hair.

2. Finger waves!
The "S" wave is a classic part of flapper hair, and length doesn't matter! It's all about framing the face (and rocking your part, side or center).



Doing real finger waves is tricky, but super awesome! I cheated--not that you can tell, because my hair is curly and therefore doesn't look much different from usual. I created fake waves by brushing hairspray through my hair and using a wide-barrel curling iron. Starting at the scalp, I put the front section of hair on each side around the barrel, just enough so that the clip could close on top, and help it there for a moment. Once it seemed sufficiently rounded, I moved down the hair and repeated the procedure every other 2 inches or so. Curling every other bit gave the rippled effect of the wave without actually fighting my hair into finger waves.

3. Round wide eyes

This is a spectrum. Fake lashes (as long as they are even all the way across, and not thicker on the outside--this will make a "cat eye" shape) can work here, but are unnecessary. Dark shadow is good, but only if you want it. There are three important parts:
               (A) Line the top lid with black liner from inner corner to lid edge against the lash line. You can also stop a little before the outer corner to preserve a perfectly round shape.
               (B) Line the bottom inner lid edge (above your bottom lashes) with white liner. This makes your eyes look bigger, brighter, and a little dewy.
               (C) Line the bottom outer lid (below your bottom lashes) with black liner. I was using liquid so I went pretty thin, but going a little thicker (or tracing over your line in dark powder) is great too.

4. Pouty dark lips


Most of the reference images for the period are black and white or sepia, so it's hard to tell what lipstick color to choose. However, there are some clues:

"kissproof" lipstick, looking pretty red
her lips look pink
and her lips look dark
It really comes down to a matter of preference. I tend to lean towards deeper reds and almost purples for '20s because I associate bright red so much with the 1950s and 1960s, and I wear it all the time. I also just like the way dark colors work as a counterbalance to dark eyes, creating that trifecta of dark makeup on a plain face that so reminds me of the flapper look.
Regardless of the color, the shape of '20s lips isn't just a natural mouth. Aim for a pronounced "bow" in your top lip and a smaller lower lip that is very full only in the center. I achieve this with stick concealer: spread concealer around your mouth and over the outer edges of your lips, blending towards your inner lips. Then use liner or the outside edge of the lipstick to trace the shape you want--an overdrawn top bow and full top lip (or less, depending on your feelings) with an underdrawn (I start to come in way early) bottom lip that is your whole lip only at the center bottom--then fill in with lipstick. Voila! A perfect pout!

5. Accessorize!

It was fashionable to wear hair accessories across the forehead or bangs instead of on top, like a headband. I think it's super dumb, but it is the easiest way to look like a flapper. I used some string sequins that i had on hand, but the possibilities are endless.

a simple band
all the bling, '20s style
6. Attitude
Really, it's all about the attitude. I am much more of a goof, and therefore tend to go for the Helen Kane look, but draw some inspiration from these bada** ladies.

Josephine  Baker
Zelda Fitzgerald
the Minneapolis Park Board girls' rifle team
Clara Bow
Bonnie Elizabeth Parker
(of Bonnie and Clyde)
one more Josephine Baker, because she is THE COOLEST

and Betty Boop! Wait...what?
Helen Kane: the "Boop-boop-a-doop" girl! (aka, Betty Boop)
I don't typically do tips/tutorial posts, so I hope this was helpful! If nothing else, be inspired to flapper it up if you go to see The Great Gatsby this weekend.



Thursday, May 9, 2013

A Return to My Love Affair with Fitzgerald: Gatsby pt1

Tonight the Baz Luhrman adpatation of The Great Gatsby is opening with a premier showing, beginning with some dances of the 1920s performed by The Commonwealth Vintage Dancers.

kicking up at the Gatsby Ball in Newport last summer

I do not expect the movie to be accurate, but I am really excited about it--Fitzgerald, to me, is a master of the wild parties of the Jazz Age, and I do expect that to come out in the film. While I read and enjoyed Gatsby, my real affection is for Fitzgerald's short stories. I've written some previous posts about his collection Tales from the Jazz Age, which you can find here. I haven't finished reading his earlier collection, Flappers and Philosophers, but it contains "Bernice Bobs Her Hair," which may include my favorite description of 20s dancing ever.

"it is well known among ladies over thirty-five that when the younger set dance in the summer-time it is with the very worst intentions in the world, and if they are not bombarded with stony eyes stray couples will dance weird barbaric interludes in the corners, and the more popular, more dangerous, girls will sometimes be kissed in the parked limousines of unsuspecting dowagers."


While tonight is a performance, I do plan to dance "with the very worst of intentions" at CVD's Prohibition Ball in July. In the meantime, if you aren't also dashing off to see Gatsby this evening, here is the most recent trailer and a cute behind-the-scenes look at the menswear:



Thursday, April 25, 2013

Regency Weekend Part 2: Merry Adventures

I think, after almost two weeks, I am recovered from the Regency Weekend...and I've finally finished going through the pictures, so that I can share our other adventures!

When it came down to making sewing decisions I decided that it was more important to me to make a new day dress to wear on Sunday and Monday, and finish the bonnet I started way back in December, than to make a new ballgown for Sunday night. I LOVE my new dress, which is from the same pattern (drafted based on one from Janet Arnold's Patterns of Fashion with a lot of changes) as my pink ballgown, but with fit adjustments, a waistband, and long sleeves. The fabric is white/sheer vertical stripes, but it's hard to see with such bright sun. The bonnet I am not as happy with...although I was pleased some plaid made it into the outfit! I think the brim shape eats my face, so I will try a different brim for the next one. Even so, I was very glad to have both the bonnet and my plum velvet spencer from the fall--it was really cold! Being right on the water brought a lot of chilly wind, and I was quite grateful for the wool lining.

In my new bonnet and long-sleeved dress at Pioneer Village
Dancing hardly needs explanation on this blog anymore, but the rest of our shenanigans deserve a bit of background. Our non-dancing Sunday afternoon (before the evening Grand Ball and reception) was an outing to Pioneer Village for games, picnicking, and archery lessons. Pioneer Village is a super charming recreation 1630s village built in the 1930s in honor of Salem's 300th anniversary. This means that while it is all historical and fabulous (and a quaint place to walk as a Regency era tourist), everything is modern--and therefore can be touched. This adds a whole new level of wonderful, as when it gets cold (as it did on Sunday!) a fire can be built in the huge (17th century, remember!) fireplace in the Governor's house and everyone can gather around it.
If you're ever in Salem, this is a wonderful "off-the-beaten-path" site to visit!

Of course, I was way too busy keeping warm with archery lessons to sit inside. As it was the era of the War of 1812 and the Napoleonic Wars, we practiced our archery by aiming at Napoleon. It was tons of fun, and we had a wonderful teacher--I even managed a solid chest shot!

braving the cold

it was especially nice to see everyone socializing--after all of the classes, we knew each other well enough to relax, which was really wonderful. Hooray new friends!

Our archery instructor demonstrating proper technique

our crowd of eager archers learns proper safety

shooting Napoleon!

I love the contrast of fabulous dresses and dangerous weapons

and we all did really well!

the gentlemen shot too--some even trading in more modern weaponry to give the bow a go

Napoleons, thoroughly defeated...as were the "trees" they were hiding behind
shooting in a bonnet was tough...it was tough to decide between subjecting my eyes to the bright sun or the brim getting in the way. Both made it vastly difficult to aim!

Antonia shoots without a bonnet to much better effect

It was such a lovely day, we had to take some pretty pictures!

Quinn is a perfect fashion plate

candid in-between-poses shot! 

I've decided I like this bonnet much better off my head

The weekend of the event was Patriots' Day (observed) weekend as well, which meant that Monday was a holiday. We stayed in Salem on Monday to have one last Regency adventure--flying kites! Quinn did some research and made absolutely beautiful silk kites (I helped a very tiny bit!), which we took to Derby Wharf on Monday to fly.
It was quite gusty on the water, but we were unable to really get the kites to stay in the air. hmm. This will require some more research and a second round. In the meantime, this was a wonderful way to end the weekend, and we had a ball even if the kits didn't fly very well. Plus, with the magic of photography, we look quite successful in the pictures (or at least the ones I'm going to share)!

showing off Quinn's wonderful kites!

this is the best explanation of how much fun this was

launching!

Antonia by far had the best luck with her kite

although mine did make it into the air...

both at the same time!



the ship to Quinn's left is the USS Friendship,  replica of a 1797 ship captured by the British during the War of 1812
I can't wait to try again!